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The Independent Cinema Office was in Lithuania at Vilnius International Film Festival (or Kino Pavasaris to locals) to discuss the issues surrounding sponsorship and funding for festivals
The business of programming is at the heart of the cinema experience, but what does programming actually consist of?
Course application deadlines, epic movie titles and permission to use your phone in a cinema. This round up has it all.
Catherine O'Sullivan and Kate Wood from our Practical Programming course talk about their process with their programming strand Dreamland Cinema at 88 London Road in Brighton.
We sent Jenni Graham, one of our technical ambassadors, to VRUK at Ravensbourne, 'an exploration into the creative and technological potential of virtual reality.' Is virtual reality the future for film and cinema? Let's find out...
Jo Comino, Marketing Manager at Borderlines Film Festival, one of ICO's programming clients, talks to us about her experience building big audiences without an urban hub.
What's it like to actually be a FEDS trainee?
Read on for the experience and invaluable lessons of a FEDS trainee from the Class of 2015!
The ICO staff sees an ungodly number of films each year. And we also have the pleasure of seeing and meeting some of the best cinemas around the world. Here's our pick of the things that mattered to us in the cinematic year that was.
It might be Christmas next month but there's too much going on here for us to start thinking about that. Read on to hear what we've been up to.
We asked Hardish Matharu, one of our trainees working at distributor eOne, to reflect back on her experience and give some lessons for new entrants to the sometimes intimidating film business. Hardish has now taken up a role as Marketing Assistant.
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