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MediCinema, an organisation that currently runs seven cinemas in NHS hospitals and clinical settings throughout the UK, is based on the principle that hospital cinema provision is therapeutic and should be as widespread as possible. We spoke to their Chief Executive Kat Mason about how their cinemas operate, and the valuable impact of their work.
MUBI have courted the affections of the film faithful through a combination of careful curation, true passion, technological smarts and market differentiation. Now they are entering the theatrical distribution market in a big way.
Our inaugural Practical Programming course, supported by Creative Skillset and BFI's Film Audience Network was designed to help independent exhibitors create innovative, well-structured and (crucially!) well-attended film programmes. Here Isabel Moir talks about her experience selecting films for the first ever Overnight Film Festival.
Our director Catharine offers an insight into her experience of Cannes 2016.
Whilst we gear up for the next iteration of Screening Days, there's plenty more still going on behind closed doors.
Arriving at the festival with a fair mix of trepidation hope, Jonny gives us his lowdown on his eventful Cannes 2016.
It's over 20 years since David's first trip to the Cannes Film Festival, and its still hard, even for an abstemious person like himself, to resist the intoxicating mix of morning to midnight screenings and constant buzz about films and filmmakers.
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