Search Results for "manifesto"

Where we are now calls for a reinvention of the way we approach cinemas as a business and cinema as a community asset. In this blog series, we ask people to share a personal vision of what’s not working now and what the future of film exhibition should look like. In this fifth article we hear from Dr Leanne Dawson, Senior Lecturer in Film Studies at the University of Edinburgh, about the ways in which cinemas and film festivals can be more accessible and welcoming for people who are working-class and/or in poverty.

Where we are now calls for a reinvention of the way we approach cinemas as a business and cinema as a community asset. In this blog series, we ask people to share a personal vision of what’s not working now and what the future of film exhibition should look like.

In this fourth article we hear from Charlotte Little, deafblind film journalist and accessibility consultant, about her vision of an industry which accommodates D/deaf audiences.

Where we are now calls for a reinvention of the way we approach cinemas as a business and cinema as a community asset. In this blog series, we ask people to share a personal vision of what’s not working now and what the future of film exhibition should look like.

In this third article we hear from So Mayer, co-founder of Raising Films, about their vision of a sector which values and supports caring labour.

Where we are now calls for a reinvention of the way we approach cinemas as a business and cinema as a community asset. In this new blog series, we ask people to share a vision of what's not working now and what the future of film exhibition should look like.

In this second article we hear from Megan Mitchell, the Producer of Matchbox Cineclub, about a symbiotic vision of revitalised pricing and programming.

Where we are now calls for a reinvention of the way we approach cinemas as a business and cinema as a community asset. In this new blog series, we ask people to share a vision of what's not working now and what the future of film exhibition should look like.

In this first article we hear from Rebecca del Tufo, Programming Manager at Saffron Screen and Royston Picture Palace, about how she hopes to take some of the things they've learned during the Covid-19 crisis to ensure their future programming is as inclusive as possible.

Our regular monthly update featuring the latest news and opportunities for your cinema, festival or film society.

Our regular monthly update featuring the latest news and opportunities for your cinema, festival or film society.

The last year has given us renewed focus on what kind of industry we are making and who has a chance to contribute. Our jobs board is free to access for both recruiters and job seekers and we think it’s a good use of this service to try and push for better jobs, better recruitment and better employment across the industry. We've recently published a new policy for this service which outlines the requirements for posting with us and provides some best practice recommendations for recruiters, which we hope will contribute to creating a fairer industry and help employers to find the best candidates. In this blog, the ICO's Projects and Business Manager Duncan Carson discusses the thinking behind these changes.

The COVID-19 pandemic has meant many exhibitors have had to re-evaluate how they deliver their events and engage their audiences. One challenging question has been that of networking: how do you foster a sense of community and connection over a video call? In this blog, freelance programmer, writer and producer Rachel Pronger describes her experiences of attending various industry events online this past year and the ways in which organisations have tried to forge connections between attendees in the virtual space; as well as considering how these new ways of working have democratised access to such events and whether these innovations will continue into the future.